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Reviews=Shmuel, a Hasidic cantor in Upstate New York, distraught by the untimely death of his wife, struggles to find religious solace, while secretly obsessing over how her body will decay. As a clandestine partnership develops with Albert, a local community college biology professor, the two embark on a darkly comic and increasingly literal undertaking into the underworld / Duration=1H 45m / Country=USA / / Genre=Drama / Actor=Sarah Jes Austell.

This song is kinda like a lallyabye to me so calm and soothing. Ao Pó voltar à página principal. Her voice still calms my inner demons when they're at their peak, no words can be better assembled than this wonderful composition in a time of need, each weekend I die a little more but, still i have something to look forward too, this tune does more for me than anything I could've imagined for, thank you Mazzy Star. Anyone here. 2020. Ao Pó voltarene. Dark and repetitive story line that develops slow. Could be better. I think the creators do not understand reality of Jewish faith. I found myself while watching wishing most scenes are made differently.

Ao Pó voltaren. Ao p c3 b3 voltar c3 a1 1. Ao p c3 b3 voltar c3 a1 service. Fun fact: You fool! Killer Queen already touched the read more button. I will miss them. 💔. Ao po volterra. Echo de menos a Freddie Mercury xd. Ao p c3 b3 voltar c3 a1 new. Ao p c3 b3 voltar c3 a1 auto. Ao Pó voltar à página principal. One of my life long favorite bands, was so excited when I discovered She Hangs Brightly (circa '90) that I made it my mission to turn people on to them. People instantly clicked. When they finally came to Houston in '93 I rounded up all those peeps and bought us all tickets (almost 30) in the same section at Rockefellers, we had about 7 or 8 tables in the front that night. I drove thousands of miles around the desert SW in those years in my old VW camper, Opal and Mazzy Star keeping me company every mile of the way. RIP Dave Roback, you were the one of the greatest. Thanks for the memories.

This is just beautiful...

2 unlikely paths cross in this serious dark comedy. The film never gets too serious, and does not attempt to get cheap laughs from slapstick gags, just the general premise of a friendship between a widowed Jewish Cantor obsessed with the body of his late wife, and a single, divorced, Community College Science teacher that the Cantor thinks has all the answers, makes this a funny enjoyable, non commercial film. Ao p c3 b3 voltar c3 a1 oil. Ao p c3 b3 voltar c3 a1 review. Ao p c3 b3 voltar c3 a1 form. Ao pó da terra voltará. Find me a duo with better harmony! God their voices are beautiful together! 😍. Me: realizes is a jojo reference.

Freddie Mercury in heaven trying to figure out who the f Kira is. Excellent work. Oh don't mind me. I'm just here to interrupt the peaceful lifespan of the comments section with JoJo references. KILLER QUEEN daisan no bakudan. BITES ZA DUSTO. Ao p c3 b3 voltar c3 a1 reaction. Ao p c3 b3 voltar c3 a1 stock. Ao p c3 b3 voltar c3 a1 tamil. Do po vim ao po voltarás. Ao Pó voltar para a página. Ao p c3 b3 voltar c3 a1 c. Ao p c3 b3 voltar c3 a1 test.

Probabley my favorite track so far i really like this album. És pó e ao pó voltarás. This will be my funeral song when I die. ¿Alguien más vino a comprobar el parecido de esta joya con Break my heart de Dua Lipa. Do pó vieste ao pó voltarás wow. I was waiting so long. This wildly inventive black comedy declares its religious concerns in its three opening quotations. First two quotes share the screen: i) the Kohelet assurance that upon death our body returns to its origin in dust and our spirit to God who gave it; ii) Jethro Tull's "God is an overwhelming responsibility." The third - in response - is the framing Tom Waits ballad "Blow Wind Blow." Even apart from its valedictory lyrics, his rasping, indeed gravelly, voice is an emblem of the coarsened life due our rocky, dust-based corporeality.
In short, the film is a Talmudic examination of the complex tension between body and soul, but in the contemporary vernacular: a Jethro Tull-mudic meditation. For the "overwhelming responsibility" of God necessarily falls upon man. "Schmuel" or Samuel) means "he who hears God."
Upstate New York Hassidic cantor Schmuel has trouble dealing with his wife Rivkah's death from cancer. He can't even make the ritual incision into his jacket lapel.
Mainly he has nightmares about his wife's decaying corpse. He sees her big toe explode. He is tormented by the suffering she must be feeling.
Thirty days later, he can't end his mourning period. So he launches a pseudo-scientific investigation into the process of a body's decay. That is, he has lost the visceral belief that her true spiritual nature has escaped her body.
In a comic replay of the theme, his two young sons believe their distracted father has been possessed by a dybbuk (who entered through his big toe. They try to exorcise the demon.
On both levels the characters are concerned with the interconnection of the physical and the spiritual. Paradoxically, the boys appear to have the greater faith. For Schmuel's obsessive empathy with Rivkah's corpse suggests he can't believe she's already escaped her earthly body. His doubt disables his cantorial voice.
Through that lapse in faith, Schmuel's quest leads him into a world of increasing secularity. It starts when the coffin seller, concluding that no possible sale is at risk, drops his reverent mien and starts conversationally to swear. From then on the dialogue hilariously pits the pious against the profane. That is, the world of the spirit dramatically collides with the dirt.
Schmuel's orthodoxy is challenged again when he has to talk to the young woman at the community college, a dilemma he "solves" by writing her notes instead.
Even this challenge pales before what follows when Schmuel suborns the reluctant college Biology teacher Albert to determine Rivkah's current physical condition. Albert is teaching the need for an efficient eco-system. He trashes stuff in frustration with his class and his own mistakes. Schmuel's intrusion grows from an irritation into his own obsession.
Unlike Albert's students, Schmuel acts on the teacher's words, leading him into a sequence of profane actions, including the burial of one pig, the killing of another, the digging up of several dead, all debasing to the orthodox Jew, and all accompanied by the teacher's verbal profanity.
Schmuel's degrading quest fails until the two men come upon a "body farm" where the recently deceased are held for study. Even here, they are initially frustrated by the system's order, until they enter at night. Then Schmuel steals a glimpse of a body comparable to Rivkah's. There he finds an assuring beauty.
The security guard who catches them finally unites the holy and the secular by their mutual inclusion. From her own family losses to cancer, she understands Schmuel's needs so lets the men leave unarrested, uncharged. But most telling is her language: she is at once among the film's most profane speakers and yet the most religious. She sees the Hassidic widower off with Jesus's blessing.
So what does God tell us through this Schmuel's ordeal, quest and conclusion? Who knows? Perhaps that rituals help us deal with our most painful losses but may not in themselves be enough. A personal reconciliation may lie beyond the traditional forms and values. Perhaps our amphibian nature may require our engagement of the profane as well as the holy. The Lord may indeed move in miraculous ways His wonder to deform.

This song can only be describe with two words: Modest Mouse. Essa música ❤♡ ela e perfeita não me canso de ouvir algum brasileiro por aqui. 2016 and still listening to this. They absolutely crushed this song when I saw them live. one of my favorite songs now. People like places like people part 2. Yea I'm pretty sure their spouses saw this video and pulled the plug. Ao p c3 b3 voltar c3 a1 p1 p2.